Susie Fairbrother trained at London International School of Performing Arts. Theatre includes: 'Family Histories' (Bush Theatre); 'Antigone' (Riverside Studios and Cyprus International Festival of Ancient Greek Theatre); 'Medusa' (SHUNT); 'In the Wake Of' (Rich Mix); 'Trilogy' (BAC and Barbican); 'Kiss the Shadow' (Soho Theatre). Susie also writes and devises her own work.

Stella Evangelia Kasoumpi is a Greek performer and Alexander Technique teacher from Athens, Greece, born in May 1982, who also holds a degree in Architecture from the University of Patras. After studying performing arts at LISPA in London, she trained as an Alexander Technique teacher at the Alexander Technique Center Athens and performs in clowning and street theatre. 

Mischa is a half-English, half Dutch Theatre Producer. He was born in London in 1998, moving to Amsterdam when he was one, and moving back to London when he was ten. He studied Theatre & Performance Studies (B.A) at the University of Warwick, graduating in 2020. He also completed an M.A. in Creative Producing at the Royal Central School of Speech and Drama in 2022. Mischa specialises in theatre producing, production management, and marketing for the arts. He has a particular interest in theatre engaging in contemporary social and political issues, whilst elevating the voices of artists and supporting their development and welfare. Previous credits include Beasts: Why Girls Shouldn’t Fear The Dark (Womxnxarts), The Manikind (Deadweight Theatre), SUS (Dilated Theatre Productions) Badgers Can’t Be Friends (Raving Mask Theatre). He has worked with companies and theatres, including the Soho Theatre, DARKFIELD, The Pleasance Theatre, and Kenny Wax Family Entertainment.​

Claire-Monique Martin is a British-French neurodivergent actor, musician and producer with Caribbean heritage, trained at the University of Central Lancashire and the American Academy of Dramatic Arts in New York. She has worked across stage and screen internationally, with credits spanning Shakespeare, contemporary plays and original works, as well as independent films. Claire-Monique is the artistic director of Fractured Time Productions, and her creative practice reflects her commitment to diverse storytelling and experimental performance.

Depi is a Greek dance artist and movement director working across theatre, film, contemporary dance, and performance art. She holds a Master’s degree in Movement Direction from the Royal Central School of Speech and Drama and trained professionally at the Rallou Manou Professional Dance School in Athens. Her work encompasses movement direction, choreography, and performance, with credits including Our Ladies of Perpetual Succour (West End, directed by Vicky Featherstone) and assistant roles on Measure for Measure and A Midsummer Night’s Dream at Shakespeare’s Globe. She has collaborated with Proud Haddock theatre company on Square Rounds, The Dog Beneath the Skin, and The Trackers of Oxyrhynchus, and with Vertebra Theatre Company on projects led by director Mayra Stergiou (Electra Untitled at Arcola Theatre, At the Heart of Things at Cockpit Theatre). Her choreographic work includes musicals such as Anyone Can Whistle, The Lightning Thief, and Sunday in the Park with George at the London College of Music. She has also worked at the Guildhall School of Music and Drama on Henry VIII with director Owen Horsley. In 2022, her movement work was featured at Tate Modern with the #Traceofus Collective. As an educator, Depi has taught movement and contemporary dance at leading UK institutions including ArtsEd, East 15, The Royal Central School of Speech and Drama, The Place, and the London College of Music. She also lectures at drama and dance schools in Athens, blending international expertise with her dedication to developing future performers. As a performer, Depi has worked with choreographers such as Miguel Altunaga, Quang Kien Van, Jorge Crecis, Polly Bennett, and Mariela Nestora, with whom she was a core member of YELP Danceco.

www.depigorgogianni.com 

​Pelagie-May Green is a Belgian  performer, writer and an award-winning theatre director who is passionate about the irreconcilable conflict between body and mind, feeling and intellect and illusion and reality.  Her passion started in Kunstinstituut Ottogracht where she studied performance art in Belgium after training with Circus Picolini in 2004 and gymnastics from a young age. Pelagie went on to train at East15 Acting school on the Acting and Contemporary Theatre course. She has trained and completed a master course with world-leading artist Jan Fabre, Troubleyn In Belgium, trained and collaborated with puppeteer Sean Garratt (The Table) and also "Anatomy of facial expression" with Medical artist Pascale Pollier.  This year Pelagie also became a member of a non-profit organisation ARSIC “Art Researches Science International Collaborations, an international collective where art and science become entangled. 

Her most recent acting and directing credit includes 'Think Me In Circles', Vault Festival 2023  

Alongside performing, Pelagie has been directing and teaching Expressionism at East15 Acting school, she collaborates and models with the highly acclaimed photographers Daniella Van Zadelhoff, Paulina Otylie Surys and Tom Hunter and writes and devises her own work. 

Muneeb ur Rehman is an Applied Performance Practitioner who believes that performance is for everyone. His work invites people from all walks of life – students, community leaders, entrepreneurs, researchers, therapists and performers – to discover their potential through embodied, playful and creative methods. He has facilitated projects across South Asia, Europe, the US, South Africa and Singapore, from setting up Pakistan’s first school theatre department and co-founding NepalImprov to mentoring young creatives and supporting design researchers in bringing human insight into their practice. As the founder of Dramajik, Muneeb continues to explore how performance can nurture collaboration, empathy and imagination. His practice is regularly shared at international forums, and his research has appeared in publications such as Theatre and Democracy and Embodied Playwriting.