
Dance and Theatre
Collaboration, Integration and Experimentation between art forms such as dance, puppetry, music and visual arts is an essential part of our work.

Medusa Opera
“I had a dream last night
That I had gills instead of lungs”
A new chamber Opera inspired by the Greek myth of Medusa.
A Forward from the Librettist Jess McNulty:
''Megan Nolan in ‘The Functions of Female Rage’ talks about a rage which is ‘unfocussed’, and I really love that image, of an anger that does not have to have a use to be justified. At the end, Medusa’s anger is a stark contrast to her naivety and girlhood at the beginning of the opera, something which she is also deeply aware of. It is an anger which she knows might overcome her, but also one which is a scream against the injustice of her story and that is born out of a deep desire to protect herself and her sisters.'​
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CREDITS
Cast
Medusa (first half): Hella Termeulen
Medusa (second half): Eva Stone-Barney
Euryale: Alice Hermand
Stheno: Júlia Guix i Estrada
Athena: Teresa Cachada
Poseidon: Twm Tegid Brunton
Dancer: Depi Gorgogianni
Orchestra
Flute, Alto Flute, & Piccolo: Lara Ali
Oboe & Cor Anglais: Laura Ware-Heine
Clarinet & Bass Clarinet: Ben Adams
French Horn: Josh Pizzoferro
Bassoon: Clara Graham
Percussion: Josh Gearing
Harp: Alicija Cetnar
Violin 1: Niya Lecheva
Violin 2: Anson Kwong
Viola: Benedict Bailey
Cello: Sam Booth
Double Bass: Izzy Nisbett
Piano: Alicia Hernandez Huebra
Creative Crew
Composer: Goi Ywei Chern
Librettist: Jess McNulty
Conductor: Brian Choi
Director: Mayra Stergiou
Producer: Jess McNulty
Repetiteurs: Alex Dakin & Alicia Hernandez Huebra
Set Design: Bautista Araya
Costume Designer: Talia Servadio
Puppet/Prop Maker: Nadja Zaremba-Byrne
AV Designer: Utkucan Eken
Marketing & Communication: Jess McNulty & Mayra Stergiou
Assistant Costume Designers: Blair Addison, Aimee Fields
Surtitle Operator: Alex Dakin
Lighting Operator: Mayra Stergiou
Associate Producer: Vertebra Theatre
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Image Credit: Isadora Baccon
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Press:
★★★★ “Delicate, touching, and tender”
“A rare and empathetic exploration of the girl before the monster” — Everything Theatre
★★★ “Evocative soundscape, captures psychological turmoil, crystalline and gut‑wrenching in turns” — TheatreWeekly
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“Potential in full bloom” — The Reviews Hub​​

Electra Untitled
Electra Untitled is a groundbreaking Surreal Physical Theatre Performance that blends the Physical theatre method of Theodoros Terzopoulos, Puppetry and Live Cinema to reconstruct Electra's Greek tragedy by Sophocles through the female and queer gaze. A diverse multinational cast of dancers/puppeteers use their autobiographical material of gender based violence (GBV) to rewrite Electra's myth and set light on how patriarchy affects the relationships between femininities and queer people. Electra becomes a modern antihero; tangled in violence that runs for generations of patriarchal suppression. The performers transform the stage to retell the ancient myth and address Electra’s collective body to its core researching a feminist re-looking of the character and the tragedy. Electra Untitled adds a twist to an old narrative and brings forward the role of women who provoke change in times of hostility and dissolution. The Tragedy of Electra by Sophocles provides the conceptual framework to be used as a metaphor alongside autobiographical testimonies of the performers and the participants from the workshops to tell stories of intergenerational violence.
Press:
★★★★ “Even within the solemn and tragic sense of the play, being infected by laughter seemed inevitable.” – North West End UK
★★★1/2 ‘Group singing was an effective homage to Greek chorus, while the use of live video worked to firmly cement the piece in 21st-century cultural conversation.’ A Youngish Perspective
‘Brilliantly Choreographed Dance’ - Michael Soltys, Buenos Aires Times
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"Amazing performance. This is a story many of us can relate to." - Mina, 21
MAAS INTERNATIONAL THEATRE FESTIVAL 2024
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‘Mesmerising Performance’, ‘Incredible Physical Theatre’
Oxford Off beat Festival, Old Fire Station Theatre
Trailers:
https://vimeo.com/manage/videos/897437465
https://www.youtube.com/watch?v=bBly2_TCb0A
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The story so far:
The project was a success with a couple of full house runs at The Place London (resolution festival 2022), The Cockpit Theatre and Arcola Theatre (2023) and engaged more than 800 audience at the Maas Foundation Festival in Lahore (Alhamra Cultural Complex and University of Punjab), Pakistan (2024) where received with very enthusiastic audience feedback, engaging especially young people. Recently we toured at British Arts Centre in Buenos Aires in Argentina where it has engaged a diverse audience in 2 performances and received very good critics:
Our show Electra Untitled, along with accompanying community-focused workshops. This is a show inspired by the classical myth/Sophocles play ‘Electra’, which is looking to explore the story through a feminist lens, seeking to tell a story about self-empowerment through knowledge, community, and control over your own story. The workshops have been conducted so far in Jordan, Pakistan, the UK and Argentina.
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CAST and Creative Team
Based on Electra by Sophocles
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CAST
Argentina Performers (in alphabetical order):
Belen Brito, Nela Fortunato, Maria Masonou, Mayra Stergiou
UK Performers (in alphabetical order):
Alexa Kormari, Depi Gorgogiani, Pelagie-May Green, Christina Gyftaki, Emilie Largier, Claire-Monique Martin, Masumi Saito, Elena Stamoulakatou
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Concept/Adaptation/Direction: Mayra Stergiou
Set & Costumes Design Consultant: Mayou Trikerioti
Movement Consultation: Savvas Stroumpos
Dramaturgy: Nazli Tabatabai-Khatambakhsh
Light Design: Alexandros Politakis
Puppet Maker: Kelly Frost
Sound Designers: Gregory Emfietzis / Claire-Monique Martin
Voice Over: Susie Fairbrother
Marketing & Communication: Tamara Dawidowikz
Assistant Director / Stage Manager: Angela Poulima
Assistant Choreographer: Piedad Albaraccin Seiquer
Assistant Producers: Bianca Beneduzzi, Christina Gyftaki
Argentina Associate Producers: Nela Fortunato, Sebastian Romero
UK Associate Producer: Mischa Alexander
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Artistic Mentors on T Method:
Theodoros Terzopoulos, Savvas Stroumpos
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Research Supervisors on Trauma:
Prof. Dominik Halvsteen Franklin
Dr. Simon Donger
Polly Teale
Research Residency at Theatre Attis, Athens, Greece in 2022.
With Special thanks to our RnD Devisors:
Anna Helena Mc Lean, Jon Paul Mayse, Ezgi Uszen
The project has been funded by:
Arts Council England, Guildhall School of Music and Drama and SNG
Supported by and Presented at:
The Place London, The Cockpit Theatre, The Arcola Theatre, Al Hamraa Cultural Centre (Lahore), Oxford Old Fire Station, Al Balad Theatre (Amman), British Arts Centre (Buenos Aires), BCN Studio (Barcelona)
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Communication Sponsors and Partners:
Maas Foundation, Michalis Kakogiannis Foundation, The Hellenic Centre, Greek List, London Greek Library, Hellenic Foundation of Culture, Influence Magazine, Latin American Women's Aid, Claremont Project, CNWL NHS, De la Tia Space, Tsunami Project
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An Ice Thing To Say
In an Icy land of ruins, a human being and a polar bear are meeting in an encounter of surviving the Anthropocene. “An Ice Thing to Say” blends Ice installation, puppetry, music and physical theatre to explore our impact on nature. Drawing on inspiration from Erich Fromm's book 'To Have or to Be?' and Ecoscenography, we invite the audience into a multi sensory experience of our inner and outer icy landscapes. We attempt to challenge the idea that the human being is at the centre of the world and we attempt to construct an embodied inquire into 'what has gone wrong?'
CREATIVES:
Live Performance 2023:
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Concept / Direction/ Scenography: Mayra Stergiou
Co-Scenography/Costumes: Elisabeth Leau
Sound Design/ Live Music: Gregory Emfietzis
Operatic Singing: Myrto Loulaki
Light Design: Hazuki Mogan
Puppet Maker: Raven Kaliana
Text/Poems: Piedad Albaracin Seiquer, Sussie Fairbrother, Elena Stamoulakatou, Mayra Stergiou
Marketing and Communication: Alexa Kormari
Production: Vertebra Theatre, Vault Festival
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CAST
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Devisors/Performers: Piedad Albarracin Seiquer, Bianca Beneduzi, Alexa Kormari, Susie Fairbrother, Elena Stamoulakakou, Mayra Stergiou
2021, 2022 Live Performers/Devisors: Neyire Ashworth, Paraskevi Bakis,
Stella Evangelia Kasoumpi
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Press
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​★★★★★ 'Outstanding Show' Fringe Review
★★★★ 'Superbly executed.' A Younger Theatre
★★★★ 'Exquisitely abstract. This provocative visual feast captivates and unsettles' Fringe Biscuit.
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'Performance Art at its Best' The Gisborn Herald, NZ
'As a meditation on Man’s inhumanity to nature, it is absorbing, challenging, and thought-provoking' Regional News Kiwi
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Co - Productions:
Cockpit Theatre, Talos Science Fiction Theatre Festival, Gothenburg FF Kuturtemple, Blivante Stockholm , Melbourne FF, New Zealand FF, Reykjavik FF, Oslo Art and Salt, The Vault Festival London
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The Research aspect of the Project has been part of Mphill research at Guildhall School of Music and Drama.
Research Supervisor on expanded scenography: Dr Simon Donger
Research Supervisor on trauma: Prof. Dominik Halvsteen-Franklin
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Image Credits: Elizabeth Leau

Dark Matter
People say your whole life flashes in front of your eyes before you die but what happens when you have dementia? Where does the brain go before we die? Alfi, an elder astrophysicist with dementia guides us into his universe, a world of star constellations. Dark matter theory and black holes merge in a race against the clock to distinguish fantasy from reality and discover meaning.
CREATIVES
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Conceived / Written / Directed: Mayra Stergiou
Co - Writer: Eirini Dermitzaki
Set Design: Stella Evangelia, Mayra Stergiou
Music Composer: Gregory Emfietzis
Puppet Maker: Kelly Frost
Dramaturgy: Tilly Lunken
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CAST
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Devisors / Puppeteers: Adam Courting, Daniel Finn, Doug Router, Aurora Adams, Alicia Britt, Jennie Rawling
Perfortmers: Piedad Albarracin Seiquer, Sofia Calmicova
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RnD Puppeteers/Performers/Devisors:
Almudena Adalia Calvo, Daniel Moseley, Sussie Fairbrother, Cecile Dumont, Paula Siu, Outside Puppets Collective
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Dementia Consultant: Prof. Sebastian Crutch
End of Life Consultant: Prof. bee Wee
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Press
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★★★★★'Beautifully done' Fringe Review
★★★★ 'Beautiful visualisations' FringeGuru
★★★★'Wonderful Production' LondonTheatre1
★★★★ 'Excellent production' Southside Advertiser
★★★★'The joy of this piece is the rarity of its exploration' The Upcoming
★★★★ Mesmerising' In CoventGarden
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''Those eyes will stay with me for a long time.​''
The British Theatre Guide
"Dark Matter harnesses everything puppetry has to offer"
A Younger Theatre
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Supported by:
Arts Council, Care UK, Jewish Care, Camden Council, Islington Council, UCL, Little Angel Theatre, Tristan Bates and The Actor's Centre, Voila Europe, Frilagret Theatre, Gothenburg Fringe, PPLG
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Image Credits: Tristan Keaton
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At The Heart of Things
​At the heart of things’ is a dance theatre performance inspired by Oscar Wilde’s De Profundis. We use dance, puppetry, live music and devised text to create a contemporary adaptation of De Profundis diving in to female sexuality, queer identity and homophobia.
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CREATIVES:
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Directed/conceived: Mayra Stergiou
Set Design: Loukia Minetou
Composer/ Live Music: Gregory Emfietzis
Puppet Maker: Kelly Frost
Choreography Support: Adrian Look
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CAST
Performers: Piedad Albarracin Seiquer, Depi Gorgogiani, Jennie Rawling, Mayra Stergiou
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Press
''Truly enjoyable, sensitive piece of dance theatre'' London Live Post
"An innovative take on De profundis and an arresting exploration of female sexuality" A younger theatre'